SPF: It’s a Match

192-02-february-19th-2017

It’s a Match

Words 202

Devansh edged towards the balcony. He needed some fresh air. Mom was going to be disappointed – again. Now she would insist that he go to India to find his soul mate.

As if they grew on trees over there.

“…fossilized dreams and aspirations…”

“That’s it! It’s off.”

“Are you crazy? To break off our wedding for such a flimsy…”

“This is a flimsy reason? Do you have any clue, any notion of my emotions, my sentiments? I see no future for us.”

“You’re impossible. I am leaving.”

“You’re still here?”

Rohit brushed past Devansh and vanished.

Devansh hesitated.

Unable to help himself, he picked up a drink and stepped out into the balcony.

“Here, have a drink.”

Mishti glared at him. “Trying to drug me?”

Devansh rolled his eyes. He downed half the glass and held it out to her.

“What happened?” Devansh leaned against the railing.

“That moron…”

“What did he do?”

“He didn’t like my plans for our honeymoon.”

“What plans?”

“A dinosaur expedition. I have been dreaming of it for years. But now all my plans, my money, tickets…”

Devansh’ eyes gleamed. “Maybe we could do it?”

“What? The wedding?”

Devansh coughed. “We could explore that after the expedition.”

 ***

Written for the Sunday Photo Fiction – a story in 200 words or less. Thanks to Alistair Forbes for hosting and the photo prompt. To read the other stories inspired by this prompt click here.

CFFC: Kolam

If you are a regular visitor to my blog you may have noticed that I have already published my photos for this week’s fun foto challenge hosted by Cee on Looking Down on Things. But as I mentioned, I have a few more photos to share on this topic.

I opted for a separate post for these photos because they are an insight into Indian art, thought, philosophy and way of life.

rangoli-3

In many parts of India (and Asia), patterns are created on the floor in living rooms or courtyards using materials such as colored rice, dry flour, colored sand or flower petals. Usually these patterns (rangoli or alpana) are made on the occasion of religious festivals and auspicious functions such as weddings. But in South India, these drawings called kolam (among other things depending on region) are made in front of the house, every morning.

rangoli2Kolams are not only decorative but are also believed to bring prosperity. Kolams were traditionally made of coarse rice flour – it serves as food for ants so that they don’t have to walk too far for a decent meal. It is also an invitation to birds and other smaller creatures. Kolams symbolize thinking beyond the self; the philosophy that the greatest joy is in giving rather than receiving. Only if you give, will you receive.And no one is too poor to feed another or welcome another.

rangoli4Every morning, women of the house clean their homes, courtyard, road and draw patterns with rice flour. The kolams are generally drawn while the surface is still damp so the design will hold better. As a child I remember watching Aunty as she drew bigger and bigger patterns without moving from her crouched position on the floor with just a flick of her wrist holding the rice powder between her thumb and forefinger. It was like magic.

rangoli1Walking back from the beach after witnessing a breathtaking sunrise, I was taken aback to see kolams on the road. The streets were deserted now but soon they would be bustling with activity. The patterns were sure to be trampled upon – why would anyone deliberately let their work of art be destroyed?

It was only later that I began to see the glimmerings of the deeper philosophy behind this tradition. Kolams on the road symbolize the impermanence of life and everything in it. It is a daily reminder to go ahead with our tasks without being attached to it.

Today’s work won’t last forever, be prepared to do it over and over again, all the days of your life. Be grateful for the new day, this life and another opportunity to create a new kolam, once again.